The authors/photographers of the two
pieces presented obviously had a point to make and a story to tell about last
meals for inmates and the death penalty yet they do not explicitly state their
opinions on the matter. These authors
let their images and sparse words do the talking, which can often make a more poignant
statement than any essay or video ever could.
The two websites exemplify strong
visual rhetoric in different ways. No
Seconds uses beautifully posed, well cooked meals as the main focus of the
image with a backdrop of a table that changes from image to image – possibly to
give each inmate displayed a unique image and feel for the reader to better
grasp. Next to the image is a list
stating the inmates name, age, state imprisoned in, charges, sentence, and description
of last meal. Through these statements
we are able to get an image of the prisoner in our head of what he/she enjoyed
and what they did to deserve the death penalty.
The visual of the font type also affected me as it was very plain and
sterile, much like a prison.
The Last Meal Project was also very
good at manipulating an image in order to get a response from the
audience. The images in this album however
are very different from those in No Seconds, they give a photo of the inmate that
is dark and somewhat haunting with very plain images of the food they had
requested as a last meal. The text on
the side was similar to that in No Seconds in a plain, typewriter-esque font
describing the inmates name, last meal, and sentence along with when and where
they were executed. The most poignant of
the images in this album for me was that of Jonathan Wayne Nobles as he
requested the Eucharist and Sacrament, wanting a piece of himself that he had
forgotten when he because a criminal. I
believe the photographer was trying make his/her audience more aware of the
fact that these were people about to die and not just about a nice meal a
prisoner had with in prison.
Both
photographers did a wonderful job in attempting to elicit a response from their
audiences and I have no doubt that they received one. No Seconds affected me the most through both
its images and text, for we were given a better look at who the person was on
paper and what their last meal was. The
Last Meal Project was also wonderful, the text along with the photos of the
inmates made the album more personable, but there was something in the album
that just did not affect me nearly as much as that of No Seconds. Visual Rhetoric is a very important aspect in
media that many of us do not consciously think about, it gives us new ways to
see a situation and can sway an audience’s opinion without the audience being
aware of what is occurring.
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